Eurobrass

All posts tagged Eurobrass

“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.

This 12-part edition is the original version as performed by eurobrass. See also these versions for 10-part brass ensemble and 13-part brass ensemble.

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“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.

This 10-part edition is an adaptation of the original 12-part version as performed by eurobrass. See also these versions for 12-part brass ensemble and 13-part brass ensemble.

Continue Reading

“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.

This 13-part edition is an adaptation of the original 12-part version as performed by eurobrass. See also these versions for 12-part brass ensemble and 10-part brass ensemble.

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This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven.  In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively.  A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship. This is the version performed by eurobrass. See also the original Dominion Brass version (14-part with percussion) and the version for Brass Quintet.

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This modern hymn by Getty and Townend has been set in as a powerful showcase for brass.  This is the version performed eurobrass (12-brass without percussion).  See also the version performed and recorded by The Dominion Brass (14-brass with percussion)

German title: “In Christus ist mein ganzer Halt”

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Das “Intermezzo Sinfonico” aus dem italienischen Oper Cavalleria Rusticana von Pietro Mascagni hat mich persönlich durch meine einsamsten Momente der Pandemie geführt, als es keine Konzerte gab und Gemeinschaft mit anderen Musikern war nur digital möglich. Als ich mit diesem Stück arbeitete, kehrte wieder Ruhe ein und ich spürte, wie wieder Hoffnung aufbrach. Das Intermezzo wurde in 2022 von eurobrass aufgeführt.

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This composition is based on a theme by Marty McCall – a chant which says “Lamb of God, who takes away the sins of the world.”  It was written for Eurobrass and performed on the 2012 tour of Germany.  It begins quietly with the low brass and goes through several variations, concluding with the tune EASTER HYMN and a brilliant coda.

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This setting was written for the Dominion Brass on the first anniversary of the September 11, 2001 attacks.  After the brass introduction, the congregation sings 4 verses, building to a grand climax in praise of the God who is “Our shelter from the stormy blast, and our eternal home.”

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Prayer of Ukraine was arranged for the 2022 eurobrass tour. I first heard this song performed by Roger McMurrin and the Kyiv Symphony Chorus. This is considered the national spiritual song of Ukraine and was written in the 19th century.  My arrangement is done as a prayer for peace and a tribute to the people of Ukraine.

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This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven.  In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively.  A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship.

Continue Reading

This composition is based on a theme by Marty McCall – a chant which says “Lamb of God, who takes away the sins of the world.”  It was written for Eurobrass and performed on the 2012 tour of Germany.  It begins quietly with the low brass and goes through several variations, concluding with the tune EASTER HYMN and a brilliant coda.

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RoundtreeMusic.com is excited to make sheet music available from eurobrass composers Dr. Chris Woods and Ben Roundtree.  The arrangements are available for purchase as PDF files, and the purchaser may print enough copies for their local ensemble.  Scores and parts in C will also be provided.  To read more about the work of eurobrass, visit eurobrass.de.  For a master-list of music by Dr. Chris Woods, click here.

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