Willkommen in der Arrangement-Bibliothek von Dr. Chris Woods. Diese Stücke werden zwar einzeln zur RoundtreeMusic.com-Website hinzugefügt, sind jedoch auf dieser Seite verfügbar.
Brass Music
This song by Matt Redman and Jonas Myrin is one of the most popular modern hymns. This arrangement is written for Eurobrass and sets the beautiful melody in a meditative and rich texture. German title: Zehntausend Gründe
“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.
This 12-part edition is the original version as performed by eurobrass. See also these versions for 10-part brass ensemble and 13-part brass ensemble.
“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.
This 10-part edition is an adaptation of the original 12-part version as performed by eurobrass. See also these versions for 12-part brass ensemble and 13-part brass ensemble.
“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.
This 13-part edition is an adaptation of the original 12-part version as performed by eurobrass. See also these versions for 12-part brass ensemble and 10-part brass ensemble.
This is a transcription of the entire last movement from Mendelssohn’s Symphony No. 5, “Reformation”. It was arranged for Tim Zimmerman and the King’s Brass and recorded at Coral Ridge Presbyterian Church in Florida and has been released on their Classic Hymns CD.
“Abide with Me” / “Bleib bei mir, Herr! Der Abend bricht herein” is arranged by Chris Woods for eurobrass to perform in surround-sound as an encore at the end of concerts.
Canzon per sonar noni toni à27 is arranged for 27 brass players in 6 choirs. It was written for the 40th anniversary alumni tour of eurobrass in 2018. Each of the 6 choirs has 4 parts and there is one tuba for every two choirs.
This opening fanfare to Monteverdi’s Vespers also appears as the Toccata from L’Orfeo. It is a showpiece for two Piccolo Trumpets. It has been recorded by Tim Zimmerman and the King’s Brass on The Best of Brass & Organ and Christmas in Europe.
This American hymn arrangement was commissioned by the Triumphant Brass of Faith Lutheran Church, O’Fallon, Illinois.
This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven. In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively. A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship. This is the version performed by eurobrass. See also the original Dominion Brass version (14-part with percussion) and the version for Brass Quintet.
This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven. In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively. A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship. This is the original version performed by The Dominion Brass. See also the version performed by eurobrass (12-part without percussion). See also the and the version for Brass Quintet.
This festive setting of the National Hymn was written for the Dominion Brass. It features fanfares and interludes to accompany the singing of all 4 verses.
This serene setting features the percussion section and soloists at the beginning, builds to a climax, and then settles back to percussion and brass soloists. A very pretty tune that incorporates the refrain “O Come, Let Us Adore Him.”
This piece opens with the brass and organ alternating phrases. It was originally for organ alone, but its pomp and splendor lend well to the addition of the brass.
Hallelujah Fanfare combines the concept of Wagner’s “Gathering of the Armies” with several tunes containing “Hallelujah.” It begins with 4 antiphonal choirs, includes a backstage/offstage choir, and ends with everyone on stage in a rousing conclusion. Click the YouTube link below to see/hear a performance by The Dominion Brass.
This modern hymn by Getty and Townend has been set in as a powerful showcase for brass. This works with or without congregation, but Rhythm Section is a must.
This modern hymn by Getty and Townend has been set in as a powerful showcase for brass. This is the version performed eurobrass (12-brass without percussion). See also the version performed and recorded by The Dominion Brass (14-brass with percussion)
German title: “In Christus ist mein ganzer Halt”
This modern hymn by Getty and Townend has been set in as a powerful showcase for brass. This is the version performed and recorded by The Dominion Brass (14-brass with percussion). See also the eurobrass version (12-brass without percussion).
German title: “In Christus ist mein ganzer Halt”
Das “Intermezzo Sinfonico” aus dem italienischen Oper Cavalleria Rusticana von Pietro Mascagni hat mich persönlich durch meine einsamsten Momente der Pandemie geführt, als es keine Konzerte gab und Gemeinschaft mit anderen Musikern war nur digital möglich. Als ich mit diesem Stück arbeitete, kehrte wieder Ruhe ein und ich spürte, wie wieder Hoffnung aufbrach. Das Intermezzo wurde in 2022 von eurobrass aufgeführt.
The oratorio Judas Maccabeus is the source for the hymn “Thine Is the Glory.” This suite is a transcription of the original CHORUS, an instrumental MARCH, and the famous “Hallelujah, Amen.” It has been recorded by Tim Zimmerman and the King’s Brass on their Classic Hymns CD.
This composition is based on a theme by Marty McCall – a chant which says “Lamb of God, who takes away the sins of the world.” It was written for Eurobrass and performed on the 2012 tour of Germany. It begins quietly with the low brass and goes through several variations, concluding with the tune EASTER HYMN and a brilliant coda.
This arrangement of Jack Hayford’s “Majesty” was recorded in 1996, but it has been enjoyed by eurobrass fans for decades.
This is a setting of the hymn tune NUN DANKET. It has been recorded by Tim Zimmerman and the King’s Brass on their Classic Hymns CD. It has also been recorded by the King’s Brass for broadcast on “The Joy of Music” television series with organist Diane Bish (program #2301).
This setting was written on the first anniversary of the September 11, 2001 attacks and adapted for Tim Zimmerman and the King’s Brass. After the brass introduction, the congregation sings 4 verses, building to a grand climax in praise of the God who is “Our shelter from the stormy blast, and our eternal home.”
This setting was written for the Dominion Brass on the first anniversary of the September 11, 2001 attacks. After the brass introduction, the congregation sings 4 verses, building to a grand climax in praise of the God who is “Our shelter from the stormy blast, and our eternal home.”
This brass septet of Handel’s “Passacaglia” was arranged for the 2018 eurobrass Workshop in Germany. It comes from the Suite No. 7 in G Minor.
This Chorale and Prelude is written on the hymn tune LOBE DEN HERREN. It contains Bach’s characteristic intricate counterpoint interspersed with phrases of the hymn tune. It was arranged for Tim Zimmerman and the King’s Brass and recorded at Coral Ridge Presbyterian Church in Florida and has been released on their Classic Hymns CD.
I wrote this arrangement after hearing a performance by Roger McMurrin and the Kyiv Symphony Chorus. This is considered the national spiritual song of Ukraine and was written in the 19th century. My arrangement is done as a prayer for peace and a tribute to the people of Ukraine.
Proclamation was composed by Ben Roundtree and rock musician and worship leader Dan Rebeiz. Its inspiration comes from the shepherds who heard the angelic announcement of Christ’s birth.
This festive Baroque piece is set for a large brass ensemble.
“Stern, auf den ich schaue” was the favorite hymn of eurobrass founder Julian Bandy. The arrangement was written by Chris Woods in memory of Julian.
This four minute suite incorporates movements from three of the four concerti that make up Vivaldi’s most famous work, The Four Seasons. The segments used are the Allegro from “Spring,” Largo from “Winter,” and Allegro from “Autumn.”
This simple and beautiful arrangement was originally written for choir by Bill Fasig, who worked with Billy Graham for over 30 years. It was arranged for brass in Bill’s memory and in thankfulness for his mentorship.
This modern hymn by Getty and Townend has been arranged for brass with optional antiphonal brass and congregation. This setting was written for The Dominion Brass.
German title: “In dem Kreuz liegt die Kraft”
This classic King’s Brass composition combines the hymn Abide with Me and Pachelbel’s Canon. It features two contrapuntal solo trumpet lines and a beautiful chorale section.
This upbeat composition by Lisa Nelson was originally written for Tim Zimmerman and the King’s Brass. It works nicely with drum set.
Amazing Grace Meditation wurde für Quintessenz Brass arrangiert, nach einer Version für Posaunenchor Rötenberg.
Amazing Grace Meditation was arranged for Quintessenz Brass, based on a version originally written for Posaunenchor Rötenberg.
This beautiful flowing composition was originally written for Tim Zimmerman and the King’s Brass.
This upbeat composition by Lisa Nelson was originally written for Tim Zimmerman and the King’s Brass.
This King’s Brass hymn composition contains a section that can be repeated to allow the congregation to sing along. The keyboard part may be played on either organ or piano.
This classic King’s Brass piccolo trumpet feature has been adapted for quintet without organ. It was originally scored for 7 brass and organ.
This opening fanfare to Monteverdi’s Vespers also appears as the Toccata from L’Orfeo. It is a showpiece for two Piccolo Trumpets. The 7-piece brass version was recorded by Tim Zimmerman and the King’s Brass on The Best of Brass & Organ and Christmas in Europe.
This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven. In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively. A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship.
Originally for 25 brass players and timpani, this piece was written by Strauss as a ceremonial procession at the request of the Knights of the Order of St. John. It is arranged here for quintet and organ. The quintet may begin offstage for the opening fanfares.
“Go Down, Moses” is a spiritual arranged by Chris Woods for the eurobrass brass quintet tour in 2020. It is in a light gospel swing style.
“Großer Gott, wir loben dich” wurde für das Blechbläserquintett des Landesblasorchester Baden-Württembergs arrangiert, nach einer Version für Posaunenchor Rötenberg.
“Holy God, We Praise Thy Name” was arranged for the brass quintet of the State Wind Band of Baden-Württemberg based on a version originally written for Posaunenchor Rötenberg.
Written for a wedding recessional, this arrangement is brief enough to make it playable at the end of a service but it sounds almost like the whole thing.
“How Deep the Father’s Love for Us” by Stuart Townend was arranged for my friends’ wedding. It can be used as a processional with the first repeat, and as the bride’s processional at the key change. It also can be used by itself without the first repeat.
“Intermezzo sinfonico” from Cavalleria rusticana was arranged for Quintessenz Brass in Tennenbronn, Germany.