This song by Matt Redman and Jonas Myrin is one of the most popular modern hymns. This arrangement is written for Eurobrass and sets the beautiful melody in a meditative and rich texture. German title: Zehntausend Gründe
Dominion Brass
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“A Light Has Dawned” is four-movement, 15-minute work composed for the 2023 summer tour of eurobrass. It contains powerful, sensitive, and virtuosic ensemble writing as well as three cadenzas, for euphonium, horn, and trombone. The movements alternate between depictions of darkness and light.
This 13-part edition is an adaptation of the original 12-part version as performed by eurobrass. See also these versions for 12-part brass ensemble and 10-part brass ensemble.
Canzon per sonar noni toni à27 is arranged for 27 brass players in 6 choirs. It was written for the 40th anniversary alumni tour of eurobrass in 2018. Each of the 6 choirs has 4 parts and there is one tuba for every two choirs.
This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven. In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively. A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship. This is the original version performed by The Dominion Brass. See also the version performed by eurobrass (12-part without percussion). See also the and the version for Brass Quintet.
This festive setting of the National Hymn was written for the Dominion Brass. It features fanfares and interludes to accompany the singing of all 4 verses.
This serene setting features the percussion section and soloists at the beginning, builds to a climax, and then settles back to percussion and brass soloists. A very pretty tune that incorporates the refrain “O Come, Let Us Adore Him.”
Hallelujah Fanfare combines the concept of Wagner’s “Gathering of the Armies” with several tunes containing “Hallelujah.” It begins with 4 antiphonal choirs, includes a backstage/offstage choir, and ends with everyone on stage in a rousing conclusion. Click the YouTube link below to see/hear a performance by The Dominion Brass.
This modern hymn by Getty and Townend has been set in as a powerful showcase for brass. This is the version performed and recorded by The Dominion Brass (14-brass with percussion). See also the eurobrass version (12-brass without percussion).
German title: “In Christus ist mein ganzer Halt”
This composition is based on a theme by Marty McCall – a chant which says “Lamb of God, who takes away the sins of the world.” It was written for Eurobrass and performed on the 2012 tour of Germany. It begins quietly with the low brass and goes through several variations, concluding with the tune EASTER HYMN and a brilliant coda.
This setting was written for the Dominion Brass on the first anniversary of the September 11, 2001 attacks. After the brass introduction, the congregation sings 4 verses, building to a grand climax in praise of the God who is “Our shelter from the stormy blast, and our eternal home.”
Proclamation was composed by Ben Roundtree and rock musician and worship leader Dan Rebeiz. Its inspiration comes from the shepherds who heard the angelic announcement of Christ’s birth.
This festive Baroque piece is set for a large brass ensemble.
This modern hymn by Getty and Townend has been arranged for brass with optional antiphonal brass and congregation. This setting was written for The Dominion Brass.
German title: “In dem Kreuz liegt die Kraft”
This arrangement of the tune “Old Hundredth” musically illustrates the connection between our worship here on earth and the continuous worship going on in heaven. In addition to Old Hundredth, there are snippets of two other classic worship hymns, “O Worship the King” and “Praise My Soul, the King of Heaven,” sung antiphonally by the “saints” (trombones) and the “angels” (trumpets) respectively. A collage of all the phrases of the tune played simultaneously is followed by a final boisterous statement inspired by the vision of heavenly worship.